Still life with peperon / Celada da Virgilio PDF Print E-mail
natura-morta-con-peperone4w.jpg

MORE PAINTINGS OF CELADA ARE AVAILABLE ON THIS WEBSITE

CELADA DA VIRGILIO Ugo, Still life with peperon, oil on wood, cm 38x33. Authenticated from the archive

Signed lower left. Authenticated by the Committee of the archive of the author.

  • Ugo Celada da Virgilio (Virgilio Cerese (MN) 1895- Varese 1995) He enrolled at the age of eleven years at the School of Arts and Crafts Luzzara (Reggio Emilia) and then move on to the Royal Scola Applied Art of Mantua. Thanks to his gifts as an artist gets a scholarship by the Institute of Mantua Franchetti allowing him to attend the Accademia di Brera in Milan taking part in courses Caesar Heel. In 1914, with the outbreak of war he abandoned his studies to enlist. On returning from the war will leave for Paris to complete his studies, but in the French capital in 1926 will come only after a stop in Genoa. In 1920 participates in the XII International Art Exhibition of Venice where he will also be present in 1924, but only in the edition of 1926 that his work is required to criticism, thanks to the positive assessment by the French critic Emile Bernard who pointed out that as Ugo Celada only among the Italians involved. After returning from living in Paris, you will find numerous exhibitions in major galleries in northern Italy, including the Quadrennial in Turin in 1928 and that same year the First Exhibition of the Lombard Permanente in Milan. In 1929 he married Teresa Bernier who will give him a daughter, Maria Grazia. In 1930 he exhibited at the gallery Samadei along with many representatives of the movement "Novecento". In July 1931, however, is among the signatories of an article published in the journal "The fascist regime" where claims, along with Bresciani Lomin, Nodari Pesenti, Moretti Foggia and Andreani, unequal treatment against the group of "Novecento" . Celada, after personally in 1929 and 1932, in the Galleries Bardi and Sciesa, 1940, the Galleria Salvetti, undergoes a general isolation that is accentuated in the postwar period. Convinced that the painting itself is sufficient to organize the gallery's first exhibition in Milan Cairola Movement Painters objectivity in 1959. In 1985 the City of Virgilio (MN) opened a gallery for the exhibition of paintings donated by the artist.


Bibliography

Ugo Celada da Virgilio, Edited by Silvia Pegoraro. Milan, Mazzotta, 2005; br., Pp. 100, ill. b/n, taw. col., cm 23x27.

Ugo Celada da Virgilio, Introducing Carlo Franza. With 49 illustration in 44 color plates. Biography, exhibition schedule. Italian-English text. 8vo. pp. 64. Milan, Edizioni Comed, 1995

 

Are you interested?

For more information and prices

contactus_eng.jpg
 
Il mio stato

Subscribe to our newsletter

 

Bibliars is also on

  skype.jpg

Search


realizzazione a cura della therighthand - © 2008 tutti i diritti riservati